Eugene Atget. Paris 1857-1927. PARIS

尤金阿杰 巴黎

產品信息

出版社 ? : ? TASCHEN; 第 Multilingual 版 (2016年11月2日)

語言 ? : ? 英語

精裝 ? : ? 624頁

ISBN-10 ? : ? 3836522306

ISBN-13 ? : ? 978-3836522304

商品重量 ? : ? 1.02 kilograms

尺寸 ? : ? 15.2 x 4.5 x 20.5 cm

頁面信息僅供參考，具體以實物為準

內容簡介

歐仁阿特金（Eugène Atget）（1857-1927年）既是花花公子又是攝影師，他痴迷於在街上行走。在嘗試了繪畫和表演之後，這位來自利布爾訥的人轉向了攝影並搬到了巴黎。他為畫家、建築師和舞台設計師提供研究報告，但他對他所謂的城市及其周邊地區的 "文件 "感到迷戀。他的場景很少包括人，而是包括建築、景觀和構成社會和文化舞台的人工製品。

阿特金生前並不特別出名，但在20世紀20年代通過曼-雷引起了達達和超現實主義先鋒派的注意。他的四幅圖像，以其特殊的模仿和神祕的融合，出現在超現實主義雜誌《La Révolution Surréaliste》上，而雷和他的藝術圈的大部分人都購買了阿特金斯的印刷品。阿特金特的名氣在他死後越來越大，有幾篇文章和Berenice Abbott的專著。一些領先的攝影師，包括沃克-埃文斯和比爾-勃蘭特，都承認他們欠阿特金的債。

A fl?neur and photographer at once, Eugène Atget (1857–1927) was obsessed with walking the streets. After trying his hand at painting and acting, the native of Libourne turned to photography and moved to Paris. He supplied studies for painters, architects, and stage designers, but became enraptured by what he called “documents” of the city and its environs. His scenes rarely included people, but rather the architecture, landscape, and artifacts that made up the societal and cultural stage.

Atget was not particularly renowned during his lifetime but in the 1920s came to the attention of the Dada and Surrealist avant-garde through Man Ray. Four of his images, with their particular fusion of mimesis and mystery, appeared in the surrealist journal, La Révolution Surréaliste, while Ray and much of his artistic circle purchased Atget prints. Atget’s fame grew after his death, with several articles and a monograph by Berenice Abbott. Several leading photographers, including Walker Evans and Bill Brandt, have since acknowledged their debt to Atget.