Ogata Korin Art In Early Modern Japan

尾形光琳：日本早期現代藝術

產品信息

出版社 ? : ? Yale University Press (2021年10月12日)

語言 ? : ? 英語

精裝 ? : ? 240頁

ISBN-10 ? : ? 0300256914

ISBN-13 ? : ? 978-0300256918

商品重量 ? : ? 1.1 kilograms

尺寸 ? : ? 20.96 x 2.54 x 25.4 cm

頁面信息僅供參考，具體以實物為準

內容簡介

介紹江户時代重要的日本藝術家之一的茂密肖像畫

緒方光琳（1658-1716）以其畫作《鳶尾花》和《紅白梅花》而聞名，是一位非常成功的藝術家，他的作品涉及多種類型和媒介--包括掛軸、屏風畫、扇面畫、漆器、紡織品和陶瓷器。結合檔案研究、社會歷史和視覺分析，弗蘭克-費爾滕斯將Kōrin置於更廣泛的現代日本藝術文化中。他展示了經濟壓力、客户偏好以及在競爭激烈的領域中對個人品牌的衝動如何影響了Kōrin整個職業生涯中的藝術創作方法。費爾滕斯還對藝術家的作品進行了敏鋭的視覺解讀，強調了光琳的藝術創新在不同媒體上的成功方式，例如他將繪畫技術引入漆器設計，以及他創造了模仿水墨畫外觀的陶瓷。這本書是第一本關於光琳的主要英文研究報告，為日本最重要的藝術家之一提供了一個親切而發人深省的肖像。

A lush portrait introducing one of the most important Japanese artists of the Edo period

Best known for his paintings Irises and Red and White Plum Blossoms, Ogata Kōrin (1658–1716) was a highly successful artist who worked in many genres and media—including hanging scrolls, screen paintings, fan paintings, lacquer, textiles, and ceramics. Combining archival research, social history, and visual analysis, Frank Feltens situates Kōrin within the broader art culture of early modern Japan. He shows how financial pressures, client preferences, and the impulse toward personal branding in a competitive field shaped Kōrin’s approach to art-making throughout his career. Feltens also offers a keen visual reading of the artist’s work, highlighting the ways Kōrin’s artistic innovations succeeded across media, such as his introduction of painterly techniques into lacquer design and his creation of ceramics that mimicked the appearance of ink paintings. This book, the first major study of Kōrin in English, provides an intimate and thought-provoking portrait of one of Japan’s most significant artists.